KIM Tschangyeul 리스트보기 썸네일보기

  • Regression SH07010
  • Regression
  • Water drops SH2013012
  • Water drops SH2012011
  • Water drops ENS8301
  • Water drops ENS220
  • Waterdrops
  • Waterdrops
  • Waterdrops
  • Deconstruction
  • Water drops
  • Waterdrops
  • Waterdrops
  • Recurrence II
  • Recurrence SH9028
  • Waterdrops SH07003
  • Waterdrops SH2000-16
  • -
  • -
  • -
  • SH83001
  • SH83005
  • SH83008
  • SH83015
  • SH83016
  • Water Drops
  • Calligraphy
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Water Drops
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Recurrence
  • Water Drops
  • Water Drops
KIM TschangyeulRegression SH070102007Acrylic and Oil on Linen162 x 130 cmKIM TschangyeulRegression1997Oil on canvasKIM TschangyeulWater drops SH20130122012Oil on Canvas162 x 130 cmKIM TschangyeulWater drops SH20120112012Oil on Canvas117 x 91 cmKIM TschangyeulWater drops ENS83011982Oil on Canvas194 x 259 cmKIM TschangyeulWater drops ENS2201979Oil on Canvas91 x 73 cmKIM TschangyeulWaterdrops1973Oil on Canvas199 x 123 cmKIM TschangyeulWaterdrops1976Oil on Canvas72.7 x 90.9 cmKIM TschangyeulWaterdrops1976Ink and Oil on Korean paper48 x 63 cmKIM TschangyeulDeconstruction1987마포, 유화195 x 333 cmKIM TschangyeulWater drops1978Oil on Hemp Cloth182 x 227 cmKIM TschangyeulWaterdrops1979Oil on Canvas130 x 162 cmKIM TschangyeulWaterdrops1990162 x 130 cmKIM TschangyeulRecurrence II1990s44 x 61.5 cmKIM TschangyeulRecurrence SH90281990India Ink, Acrylic and Oil on Ricepaper1990KIM TschangyeulWaterdrops SH070032007Acrylic and Oil on Sand195 x 160 cmKIM TschangyeulWaterdrops SH2000-162000Acrylic and Oil on Sand162 x 130 cmKIM Tschangyeul1974Oil on Linen146 x 114 cmKIM Tschangyeul-1974Oil on Linen100 x 81 cmKIM Tschangyeul-1974Oil on Sand60 x 60 cmKIM Tschangyeul-1975Oil on Sand227 x 182 cmKIM TschangyeulSH830011982228 x 182 cmKIM TschangyeulSH830051983162 x 130 cmKIM TschangyeulSH830081983130 x 97 cmKIM TschangyeulSH83015198391 x 73 cmKIM TschangyeulSH83016198350 x 34 cmKIM TschangyeulWater Drops1983Oil on canvasKIM TschangyeulCalligraphy1988Oil on canvas195 x 130 cmKIM TschangyeulRecurrence1989Watercolor on rice paper 252 x 200 cmKIM TschangyeulRecurrence1990Indian Ink and acrylic on rice on paper mounted on canvas146 x 89 cmKIM TschangyeulRecurrence1991Indian ink and acrylic on rice paper mounted on canvas162 x 130 cmKIM TschangyeulRecurrence1991Indian ink and oil on canvas195 x 160 cmKIM TschangyeulRecurrence1991Oil on canvas195 x 330 cmKIM TschangyeulRecurrence1993Indian ink and oil on canvas162 x 195 cmKIM TschangyeulRecurrence1993Indian ink and oil on canvas195 x 300 cmKIM TschangyeulWater Drops1993Oil on sand195 x 130 cmKIM TschangyeulRecurrence1998Oil on Linen182 x 230 cmKIM TschangyeulRecurrence1998Oil on Linen230 x 182 cmKIM TschangyeulRecurrence1999Oil on Linen162 x 130 cmKIM TschangyeulRecurrence1999Iron and Glass22 x 22 x 16 cm (each)KIM TschangyeulRecurrence2000Oil on Linen73 x 60 cmKIM TschangyeulRecurrence2007Acrylic and oil on linen97 x 162.2 cmKIM TschangyeulWater Drops1977Oil on canvas162 x 130 cmKIM TschangyeulWater Drops1979Sand, oil on hemp90.9 x 72.7 cm

Kim, Tschang Yeul has been working on waterdrop painting for a long time. Still, he is painting drops of water. It seems like that he has a special reason which makes him keep working on it. However, he keeps silence about the reason. He even doesn't feel the necessity to explain it. On the contrary, he thinks that he should not talk about it. He will keep painting waterdrops tomorrow and the day after tomorrow without a word. He will just continue to do it without any big changes. When Kim makes a drop of water on canvas, the drop becomes a certain "thing" and is given an official form. It becomes an established fact. Despite, he keeps making another drops on another canvas as usual. This is not just a habitual thing for him. Like a training monk who is working bending himself forward for hours and days, he repeats the process. This is because the waterdrops filled with light are awaiting his calls in his studio. Like always, he concentrates on his work. / Kim, Tschang Yeul's canvas is full of drops of water. Then, all of a sudden, the light fills the canvas. However, when we try to take a look at it, we only can see unrecognizable dyestuff painted on canvas. Then, when we look at the canvas once again without thinking, it is filled with waterdrops. This is a trick of the eye so-called illusion. Only when we close our eyes, the painted dyes on canvas that we saw just before become to look like a waterdrop. The drop is something surreal which no one else has ever seen before. Or, since it is such a common thing, we cannot believe that it is really existing. When everything becomes quiet, its real entity comes out from our subconsciousness and delivers a concept. It is our consciousness, neither ‘existing’ or ‘nonexisting’, which is ever changing lying between ‘concept’ and ‘reality.’ Moreover it is the hemp cloth of loose and coarse texture which supports the shining waterdrop and the property as a dye painted from a special purpose.

From [The Parade of Silence], Yongdae Kim

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